NYC based Director Josh Hayward has shot campaigns around the world for renowned brands and clients, but shooting in the Middle East, for Lincoln 'Aviator', was a first for him. electriclimefilms spoke with Hayward about his experience on set in Dubai and his ethos as a filmmaker and storyteller.

That Jam’s strength lie in making the ordinary funny, the bizarre believable and the strange endearing.

Michael discusses remote working and highlights some tips on how to adapt to your new environment.

Increasing turnaround times for smaller, quicker projects and using available material rather than shooting new footage is a great resource to tap into. It generates new content but also speaks uniquely to the current ‘stay home to stay safe' sentiment.

From experimenting with different camera and equipment set ups, Scott has gained an affinity for shooting with the Blackmagic Pocket Cinema Camera (BMPCC) 6K. Having shot a few upcoming films in collaboration with electriclimefilms, Scott discusses why he prefers this camera system over others.

A guide to our approach to location scouting, and how it supports the director in bringing the film’s vision to life.

Over the past few years the electriclimefilms Dubai team has gone from strength to strength, working on memorable campaigns in the Middle East for such brands as Snickers, KFC, Porsche, and Riot Games. Situated within the thriving artistic community at Alserkal Avenue the team bring together their wealth of knowledge, creativity, and filmmaking experiences.

Lincoln worked closely with GTB and electriclimefilms to produce three inspirational films, with a focus on entrepreneurial energy to promote ‘The Lincoln Aviator’.

Campaign Middle East announced their picks for their annual Top 20 Film Campaigns of 2019 and electriclimefilms is excited and honoured that KFC 'Confessions' and Porsche 'Twists and Turns' made the list.

The electriclimefilms Singapore team shot parts of their Sony ‘Focus’ film on location in Mongolia. Head of Production Rory Cavanagh, who was Assistant Director for the shoot, recounts the breathtaking and memorable experiences he had, as a filmmaker and photographer, while on set in Mongolia for the first time.

There’s been an ongoing debate with artists and filmmakers in the last few decades about film vs digital. But Tom Welsh has worked with electriclimefilms to make use of both digital and film to work together and achieve a beautiful mixed media narrative.

LBB’s Adam Bennett speaks to head of production Rory Cavanagh and creative director Damiano Fieramosca to find out how the company is putting sustainability at the heart of their work